+++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++
[insub24]Andre Vida - I dont know whats wrong with me, my computer eyes or my internet knees
+++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++

1. 	I dont know whats wrong with me, my computer eyes or my internet knees
2. 	BlackJack?!? I thought this was poker!
3. 	Message Set, Waiting for a sarcastic response
4. 	Break this sweater in with my smell.
	Scrape the shoes from this black polished shell.
	I feel totally new in my heart.
	I feel it so calm.
	How long will it take till the other side wins out?
5. 	Billie Jean
	or
	D:	Are those one of your pants with a huge hole in the crotch.
	G:	No, these are my pants with no button.
6.	Pancake Skillet
7.  	Abblution, When You Need It
8.	Child Real Eyes
9. 	A small bald man with a lisp
	whips my wife every night in her dreams.
	I can't say I'm jealous so I feed him every morning
	we play poker while she's away and when she comes home
	I hide him in her pillow

48 min 14

Andre Vida: tenor saxophone and poetics

from the huyswerk concert at 'tWerkhuys, Antwerp on September 30th, 2007
Recording & Production: Giles Thomas
www.huyswerk.com
www.bateaulavoir.org

+++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++

released under a creative commons license by.nc.nd by Insubordinations netlabel:

http://insubordinations.audioactivity.net

+++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++

Andre Vida's notes:
"Solo saxophone improvisations and songs based on poems from handbook  
8. I have been performing every Tuesday night for the past 2 years at  
a place called Wendel in Berlin. This has given me full license to  
explore the intersections between solo saxophone music and poetic  
lyrics, so I was very pleased to have the chance to come to Antwerp  
and bring these experiments to fruition in a new environment. Special  
thanks to Giles and Patries for making this possible."


biography:
Arriving in NYC in 1995 at the age of 19, with male pattern baldness  
shaved in his head by his own hand, Andre Vida began terrorizing the  
Knitting Factory, The Cooler and subway platforms everywhere, with  
his unique brand of improvised saxophonic punkosity. In between  
performances with Anthony Braxton, The Tower Recordings, Susie  
Ibarra, Lil' JJ, Brandon Evans, Sonny Simmons, Tim Barnes, and Cecil  
Taylor, Vida began to notice that there was often a cab parked on the  
corner of Hudson and Canal with a coffin sticking out the back. One  
day, Vida decided to see what was inside. Was it the future of  
freejazz? The fate of instrumental improvisation to the exclusion of  
theatre? Was it a call for Vida to develop his singing voice? I wish  
I knew, for he seems to hold a kind of power over me and I believe it  
stems from what he learned there.

Eleven years later in Berlin, his highly regarded 'Every Tuesday  
night for the rest of your life' series at Wendel, has allowed him to  
hone his skills as tap dancer, saxophonist, blues singer, and  
monologuist with amazing guests from all reaches of the globe. Guests  
have included Ame Zek, Kevy Blechdom, Kim Hiorthoy, Clayton Thomas,  
Tony Buck, Jamie Lidell, Bill Youngman, Guido Hennebohl, Brendan  
Dougherty, the disgruntled mimes, and many more...

*************************************************************************************************** 

notes d'Andre Vida:
"Improvisation solo au saxophone et textes basé sur les poèmes du Handbook 8.
J'ai joué chaque mardi soir durant les 2 dernières années dans un endroit nommé Wendel à Berlin.
Cela m'a donné l'occasion d'explorer en profondeur les intersections entre sax solo et textes poétique.
Je fut donc très heureux d'avoirt la chance de venir à Antwerp et d'y rapporter ces fructifiantes expériences dans un nouvel environnement.
je remercie spécialement Giles et Patries d'avoir rendu ceal possible."

biographie:
Arrivé NY en 1995 à l'âge de 19 ans, ""avec une calvitie d'homme rasée de sa propre main sur la tête"",
Andre Vida commença à terroriser la Knitting Factory, le Cooler et les quais de métro avec sa marque unique de punkosité saxophonique improvisée. Entre les performance avec Anthony Braxton, The Tower Recordings, Susie  
Ibarra, Lil' JJ, Brandon Evans, Sonny Simmons, Tim Barnes, et Cecil Taylor, Vida se mit à remarquer qu'il y avait souvent un taxi garée au coin de Hudson et de Canal avec un cercueil collé à l'arrière. Un jour, il décida de voir ce qu'il y avait à l'intérieur. Était-ce le futur du freejazz ? Le destin de l'improvisation instrumentale dêtre exclusue du théâtre ? Était-ce un appel pour que Vida développe le chant de sa voix ? Je souhaiterai le savoir, car il semble tenir un genre de pouvoir sur moi et qui je crois provient de ce qu'il a appris à ce moment.

Onze ans plus tard à Berlin, ces séries très considerées 'Every Tuesday  
night for the rest of your life' au Wendel lui permir d'afinier ses qualité de danseur de claquette, 
saxophoniste, chanteur de blues et monologueur en compagnie d'incroyables invités des quatre coins du globe
tel Ame Zek, Kevy Blechdom, Kim Hiorthoy, Clayton Thomas,  
Tony Buck, Jamie Lidell, Bill Youngman, Guido Hennebohl, Brendan  
Dougherty, the disgruntled mimes, et bien d'autre...

+++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++
web: http://vidatone.com/
      
+++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++
netlabel contact: insub@dincise.net
+++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++

